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    <lastmod>2022-06-22</lastmod>
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      <image:title>Work - Paint-By-Bike</image:title>
      <image:caption>Paint-By-Bike took place two years in a row during the annual G'Knight Ride hosted by Bicycle Longmont. I wanted to connect art and bikes and decided to use the tires to create a large scale canvas and small prints. Over 1,000 riders created dozens of prints and two large canvases.</image:caption>
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      <image:title>Work - Touch</image:title>
      <image:caption>Mark Bueno, Angie Eng, Sean Patrick Faling, Chelsea Gilmore, Clay Hawkley, Julie Maren, Elizabeth Morisette, Thomas Scharfenberg &amp; Kenzie Sitterud (Boulder, CO - December 18, 2018) - The Dairy Arts Center kicks off 2019 by breaking down a standard barrier between artwork and viewer – allowing visitors to touch and play with everything in the exhibition. All four galleries are dedicated to paintings, installations and sculptures you can touch, manipulate and interact with.   The Polly Addison Gallery hosts the work of Angie Eng. On view are two separate bodies of work that evoke different reactions. In “This Land Is My Land” Eng invites you to touch painted parts of an American flag, which then triggers the sound of a poem being read. Twelve works in the series allow exploration of what it means to be American. Next to this series is a large mandala comprised of e-waste arranged (and rearrange-able) on a magnetic board. Dominating the MacMillan Gallery is “The Wardrobe” by Kenzie Sitterud. Their work is literally a closet for you to walk into, close the door and think. Sitterud's installations are designed to create the same dysphoric environment experienced by the queer community who exist in a society that is not designed for, and is not inclusive of them. On the wall, Elizabeth Morisette takes the idea of white gloves to the next level with “Jazz Hands” and plays off the idea of using white gloves to handle art. Chelsea Gilmore turns waste into beauty in the Hand Rudy Gallery. “I want to respond to space as an animal. When we are overwhelmed in a visual and tactile experience, our intrinsic nature sets in as we remember the ways of life beyond our own.”   One step into the McMahon Gallery and you are already walking on art. Thomas Scharfenburg applies his signature repetitive shapes and colors on the entire gallery floor. Viewers are welcome to ascend the stairs to the breezeway above for a change in perspective. Sean Patrick Faling invites visitors to pick up a phone and call someone while Mark Bueno invites visitors to scratch off the surface of his “Win/Win” series of paintings. “These original scratch-off paintings are a testament to risk and chance for all who enjoy collecting art” says Bueno. Exhibiting distressed popular art posters, Clay Hawkley invites you to add to their demise by touching them. He references the idea that something happens as art is viewed, reproduced or handled. Finally, in a nod to the simple desire to touch a painting, two of Julie Maren’s paintings hang for visitors to reach out and touch, stroke or poke as much as their heart desires.</image:caption>
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      <image:title>Work - Intuitive Home Design branding</image:title>
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    <loc>https://www.jessicakparker.com/welcome</loc>
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    <lastmod>2016-03-03</lastmod>
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      <image:title>Welcome - Transient</image:title>
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    <lastmod>2016-03-03</lastmod>
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